Tag Archives: Art

A Story in Ink

With each pen stroke
A future is shaped.
Emotion or motion –
A story begins
In ink:
An image
Or a word.
Through art,
The heart
Is heard.

Driving Questions

Arbitrary or art,
Physics or fate –
Does it hold us, bound,
Or drive us to create?
Dare we wait ’til tomorrow
When tomorrows won’t wait?
How can we know if
Tomorrow’s too late?

Me? An Artist?

             I never thought of myself as an artist. Maybe, growing up in rural, conservative Ohio, I got this from the image that artists are flighty people who shirk responsibility and live with their heads in the clouds.
Don’t get me wrong – the opinion wasn’t that overt, and that it existed at all is ironic since I have several relatives who make their living mainly through one artform or another. Interestingly enough, I don’t know that they think of themselves as artists either. They consider it very much a business and are more likely to reference their careers in those terms.
Possibly because they grew up in rural Ohio with the same conservative image in their heads.
To be clear, when I say, “artist,” I mean anyone who focuses a large amount of their life on a creation: graphic art, music, dance, theatre, woodcarving, jewelry, etc. I don’t make a distinction between quote unquote high arts and low because from what I’ve seen, that’s a cultural construct to separate the upper and lower classes – or simply raise prices.
But that’s an argument for another time.
I’ve dabbled in many of these arts over the years. My family is what you’d call crafty. I learned to sew buttons before I was 7, I knew how to crochet (badly) by high school, and I’ve sung before I could read. I’ve studied drawing, dance, dramatics, writing, pottery, and more. I enjoy all of it, and when I have an image in my head that I need to make real, I use whatever medium works with the image. Some work better than others, and the only two I’ve ever done well at are music, writing, and dance.
Up until the past year, that’s the limit of how I thought of art. It was a pleasure that everyone should experience. It was a honed skill to be highly respected. It was a requirement of life. Despite that, I did not think of myself as an artist. Having those opinions didn’t make me a flighty, ditzy shirker.
Stereotypes are hard to shake, especially when you don’t realize you have them.
Then, for reasons too long for this post, I decided to dedicate my time outside of work to some of those arts: mostly music and writing. I applied for and got 2 jobs with entry-level pay and M-F banker’s hours so that I could pay bills and also have time to focus on those arts.
I still didn’t think of myself as an artist. I guess I’m dense.
It wasn’t until I was sitting at my standard, reliable job with absolutely nothing to do that I had the eureka moment. I had already made up all the work I could think of, and I was out of ideas. Everything was up-to-date, and I had to wait on others to get back to me before I could do anything else. Well, I was raised old-fashioned, and if I’m getting paid, I feel like I should be working.
You and I both know that there are slow days in any business. If the managers had accepted that and given the ok to write or whatever so long as I was ready for customers when they arrived, that would be different. As it was, I was stuck doing someone else’s make-work (a total waste of time done solely for my hourly wage), and all I could think was that I could be doing something important with that time.
Like working on my music or my writing.
I resented every moment that draining, dull, pointless work took away from my life. Every second of it was a waste of time, and the frustration built and built with each hour and each day that I was faced with it. In that moment of frustration and resentment, I understood why an artist would quit a perfectly “good” job once they’d earned enough to buy their paints or materials. Their real job is the art – not the frustrating hourly wage they put up with to fund their art. Every instant spent putting energy into something that painful and pointless – instants that could have been poured into making something I care about – takes a will and determination for internal struggle that I had never realized.
I guess there’s more artist in me than I thought.


When IDEAS Attack

             Anyone with the smallest creative bent has had that moment when an IDEA kidnaps your focus. And I do mean IDEA. Not a measly little idea that makes you think, “That would be cool,” but a Russian dominatrix IDEA that grabs you by the balls and demands fulfillment now and on her terms. Metaphorically, speaking. The point is you will do it, and you will do it now.

            This is when the artist becomes the slave to the art, and it’s not the type of moment that happens conveniently behind closed doors when you ask politely for inspiration. No, IDEAS come from outside stimulus. Whether it’s a Youtube video of a band, a comment from your boss, or a passing action by a stranger, something about the turn of phrase or thought catalyzes a reaction in the brain and gives birth to a cerebral traffic cop, re-routing priorities and upsetting any plans or schedules. This could be a brief delay or an entire detour that you cannot escape without consequences.

            Let’s say you’re in the weekly office meeting, and in your boss’s prepared comments, some offhand remark flips the IDEA switch. Suddenly, you’re designing in your mind: colors, shapes, sounds, and textures. You’re adding layers: shaping, melding, removing, and shifting until a rough model glows in your mind with context and materials, notes and lyrics, shadows and light. Your body may still be in the meeting, your eyes open, but your awareness and your sight are so completely internal that only when that rough draft is done, the IDEA sated, are you again aware of the reality around you.

            Shit, he’s still talking. How much did I miss? How long did that take?

            It’s no wonder much of society thinks that artists are ditzy and flighty. So often, we can’t even have a conversation without getting lost in our own minds. Even those with artistic bents who’ve had occasional IDEAS consider the frequency of artists’ side trips self-indulgent and weak-willed. But when you have dedicated yourself to an art, when that is your career and your focus, IDEAS are the moments you live for. They are the treasure you struggle to find buried in yourself as you work and sweat in your home. They’re the dropped coins on the street that hunger has trained you to look for or the forgotten child that you shelter from the world.

            IDEAS are an artist’s career. Focusing on one in conversation is like excusing yourself for a business call. Ignoring one is like a retail clerk ignoring a customer to talk to a friend. You can’t guarantee when another customer will come or that another one will come at all. It may be rude, but it’s both the business we’ve chosen and a result of how we’ve trained our minds to see.

             Unfortunately, stepping out for a moment (mentally) is still easier for most people to understand and accept than the second, stronger kind of IDEA. This isn’t the brief delay where you seem to space out for a minute and then come back. No, this kind of IDEA is even more consuming and cannot be appeased by a rough draft or few moments of thought. It must be explored now, created now.

            My first experience with this strength of inspiration came in my Junior year of high school. My English teacher drifted off-topic and told us a personal story that touched a chord in me and fired a need to create that I had never experienced before. It was a poem. It hadn’t been written yet – it didn’t exist in any way, shape, or form – but I knew it was a poem. I had to write it. It wasn’t something I could ignore or put off, I had to write it then. Like a compulsion or spell, it pulled at me and commanded I obey, or I knew the poem would be gone forever.

            I wrote through that class and the next and the next. I forced myself to write class notes on one side, as quickly as possible, while the poem took form on the other. Even then, I don’t think I really heard or understood what anyone said to me, it passed through a part of my brain and on to the paper even as the rest of my mind shaped and sculpted words and lines to appease the fever that held me.

            When the last line finally sat on the page, that terrible pressure disappeared like a rough storm at sea finally releasing a battered ship. Disoriented, dazed, the crew recovers and slowly starts putting the ship to rights, returning to normal life. My classmates may have thought I was drugged or ditzy, I don’t know. I only remember feeling drained as I emerged from my mind and took in the world again. Maybe an exorcism is a better example, and the spirit possessing me finally fled. The stories of séances where the ghost takes over the host’s hand and writes until his/her story has been communicated to the world certainly rings with the feeling of that compulsion.

            Not that I blame IDEAS on ghosts.

            But that compulsion to create shows the strength of this kind of inspiration. Ignoring one can be painful both in resisting the compulsion (think of an addict resisting their drug of choice) and in trying to recreate it later, at a more convenient time. For those who cherish the art inside us, trying to breathe fire into embers of what was (you swear!) a really good idea and being unable to rekindle it to equal flame is another pain and grief.

            So the next time you see someone staring off into space or scribbling on a napkin and muttering, know that you are watching an IDEA attack and pay your respects to the artist in its thrall.

%d bloggers like this: